History

De Wolfe Music began distributing 10” vinyl records in 1962 and soon after produced the now legendary and collectable 12” records, complete with their trademark experimental cover designs by Rolph Webster and award-winning Canadian artist Nick Bantock. This era saw the company providing the scores for the original black and white Tintin series and being awarded an Ivor Novello Award for the theme to the TV series The Power Game. Music was also provided for classic episodes of Dr. Who and the 1969 psychedelic classic What’s Good For The Goose including a De Wolfe score featuring cult sixties band The Pretty Things. In the ‘70s, De Wolfe scored The Sweeney, Monty Python’s Flying Circus, Miss Jones And Son, Man About The House, Roobarb & Custard, Henry’s Cat and George Romero’s zombie classic Dawn Of The Dead (1978). Many more obscure de Wolfe scores lurk in the cult classic Kung Fu movies by Hong Kong’s Shaw Brothers. The release of a series of 6 compact discs in 1985 led to De Wolfe ending the production of its vinyl series in 1988 – the end of an era.

Learn more about the history of De Wolfe Music in our article, Nitrate to Bit-rate.

 

The Cult of Library Albums

By Jonny Trunk of Trunk Records

My first encounter with library music was in a second hand record shop. It was in the early 1990s, and it was of immediate interest as it looked like no other record I’d seen before. When I got the LP home and put it on the record player I realised it was the kind of music I’d been listening out for - sort of interesting background jazz, like film music, a bit classical too, quite experimental too but ever-so-slightly different.

I started to look around for these LPs, and slowly began collecting them on the rare occasions they appeared in shops. I came across fellow collectors and slowly started to build up a detailed knowledge about the composers, the styles, the music and the early labels.

The most interesting and diverse, both in terms of sounds and sleeve art was the de Wolfe label. They employed some serious talent and issued sublime jazz, incredible urban soundscapes, comedy cues, amazing electronic experiments and many of the classic TV sounds I’d grown up with. 

Much of the artwork was left to a graphic man by the name of Nick Bantock. Heaven knows what his influences were, but his inspired collages and magpie style of design seemed to fit the incredible music like a glove.

I became so enthralled by the whole music library world I made a book (published in 2007), simply called The Music Library where, I’m pleased to say, the number of sleeves issued by de Wolfe outweighs any of the other 100 or so library companies I discovered. Three decades on from my first library LP find and I’m still hooked, still looking out for classic de Wolfe library music I’ve still not found.

 

Jonny Trunk is a writer, broadcaster, and DJ as well as the owner and founder of Trunk Records